Personal Narrative: My Father Said Squid

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Personal Narrative: My Father Said Squid

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As they endure the ever-escalating dangers around them — in their home as well as in the streets of Kabul — they come to form a bond that makes them both sisters and mother—daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation. With heart-wrenching power and suspense, Hosseini shows how a woman's love for her family can move her to shocking and heroic acts of self-sacrifice, and that in the end it is love, or even the memory of love, that is often the key to survival.

It is fantastic and innovative with an interesting take on the first person narrative. The characters are engaging and relatable, and the ending will just shatter your heart into a thousand pieces. Description from Bookshop : "It is Nazi Germany. The country is holding its breath. Death has never been busier and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can't resist — books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.

The book is a beautiful memoir detailing her relationship with the photographer Robert Mapplethorp. It ends with his untimely death from AIDS, and her detailing his memorial did me in. It is a fantastic book and a beautiful tribute to him. Description from Bookshop : "In , the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous, the influential artists of the day, and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other.

Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years. When I came out of my room in tears, my three roommates looked at each other, stood up, and hugged me. They had all read it before and understood. The story is beautifully written. Description from Bookshop : "A heart-wrenching but deeply funny and ultimately uplifting story of family, love, loyalty, and hope — a captivating look at the wonders and absurdities of human life Description from Bookshop : "When sober, Jeannette's brilliant and charismatic father captured his children's imagination, teaching them physics, geology, and how to embrace life fearlessly.

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Sobbed again. Just a heartbreaking story of the power of young friendship and the devastation of losing it. Not many stories one revisits continue to convey so much emotional power. Description from Bookshop : "Jess Aarons has been practicing all summer so he can be the fastest runner in the fifth grade. And he almost is, until the new girl in school, Leslie Burke, outpaces him. The two become fast friends and spend most days in the woods behind Leslie's house, where they invent an enchanted land called Terabithia.

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Since Aaron can't stay away from Thomas or turn off his newfound feelings for him, he considers turning to the Leteo Institute's revolutionary memory-alteration procedure to straighten himself out, even if it means forgetting who he truly is. It's about a girl whose father placed her and her siblings in an orphanage in the '30s. They're watched over by a ghost. Ruby uses language in a way in which you have to pay attention. I just sat and sobbed when I finished it. Description from Bookshop : "When Frankie's mother died and her father left her and her siblings at an orphanage in Chicago, it was supposed to be only temporary, just long enough for him to get back on his feet and be able to provide for them once again.

That's why Frankie's not prepared for the day that he arrives for his weekend visit with a new woman on his arm and out-of-state train tickets in his pocket. Now Frankie and her sister, Toni, are abandoned alongside so many other orphans — two young, unwanted women doing everything they can to survive. Arc Words : "This new era" i. If you are strong, you live. If you are weak, you die" throughout the Kyoto arc, especially during Kenshin and Shishio's duel.

Art Evolution : Kenshin's art had three major shifts: the soft, shojo-esque initial design, the sharp, more shonen style used starting in the Kyoto arc, and a style that gradually became more streamlined during the Revenge arc. The run is just like Buso Renkin and Embalming in art style. There's also Music Evolution for the anime. The first "season" roughly the first two cours or 26 episodes featured a fairly light, jazzy soundtrack. Once the Kyoto arc kicked off, however, the show shifted to a much heavier, orchestral soundtrack and feel to match the scope and scale of the story. There are also the draft character redesigns that were released with the kanzenban editions yet. Drawn in Watsuki's more recent style, some of the characters are barely recognizable also there appear to be changes to some back stories but it's not really certain since translations don't seem to exist yet.

As Lethal as It Needs to Be : Kenshin almost kills Seijuro with the Amakakeru Ryu no Hirameki, only sparing him because some bolts on his sword gave way , lessening the blow. Kenshin never comes close to doing that kind of damage with the move again, even against enemies far physically weaker than Seijuro. Justified somewhat as it's explicitly said that Kenshin must be very careful with that attack. The Atoner : Kenshin, for his time as Hitokiri Battousai. Megumi is a non-combatant example, as she's trying to gain redemption for the deaths her opium caused.

Aoshi definitely has shades of this, especially after Kenshin brings him back from the brink of pure evil. Attack Its Weak Point : Kenshin wins the battle against Gein by jamming up the gears of his puppet with a tiny rock , and then proceeds to Hannibal Lecture Gein about the importance of being able to feel pain. Kenshin thinks to himself that hopefully he's prevented such an ideology from ever again arising or leading to problems in Japan. Use whatever technique you like. Once I've said I'll kill you, your death is assured!

Battousai: "The next time something flies, it will be your head. With one hand. I can never get used to this, can I! Yumi : Himura-san. That should be an one-on-one battle. You shouldn't be giving him a hand. Kenshin : Yes. That is exactly why this humble one gave him an advice, not a hand. Fastball Special : Sanosuke's tossed Yahiko on a few occasions so that the latter could lend a hand before Kenshin finished off all of the Mooks. Yahiko, for his part, is not happy about being used as a projectile. Kenshin and Sano also pull off a pretty damn awesome variant in the Revenge Arc, with Kenshin executing a flying leap from Sano's fist to land the first blow.

Fatal Family Photo : No photo involved, but Kiyosato Akira Tomoe's fiance talks about his engagement right before Battousai shows up to assassinate his party. The Fellowship Has Ended : At the end of the series, most of the characters leave Tokyo to go on with their lives. Misao and Aoshi return to Kyoto. Sanosuke is forced to flee from Japan and becomes The Drifter. Megumi leaves to search for her family and only characters remaining are Kenshin, Kaoru and Yahiko.

Filler : Sadly, the overuse of filler episodes in the later seasons led to its eventual cancellation. Once there, it's Aoshi, Yahiko, Sanosuke and Saitou vs. Enishi's four henchmen and, of course, Kenshin vs. Finger Poke of Doom : Sano introduces himself with one of these. Anji has a fingerpoke version of the Futae no Kawami, an ability that can shatter rocks to fine dust, and teaches it to Sano.

Fingore : Houji has one fingernail torn out and tears out six more himself. Also, Sanosuke's hand is seen with the fingers In their final battle, Kenshin's revamp and secret attack summons forth a fierce squall, while Makoto's special attack and power up are announced by roaring flames. Forced to Watch : Averted in the Jinchuu Arc since Enishi was unable to kill any young woman who resembled his sister in age and appearance, so he couldn't kill Kaoru in front of Kenshin as he originally planned. So instead he left the dummy doll for Kenshin to stare at , but Aoshi figured it out. Foreign Exchange Student : According to Cho, the "sword hunter", this what Kamatari becomes after the Juppongatana disbands. Though truthfully it was because Cho lied to Kamatari, by saying Shishio had wanted the remaining Juppongatana to spread word of his deeds in case his plans failed.

Foreshadowing : In one early story, Yahiko explains that he's started work at the Akabeko because he wants to buy a reverse blade sword like Kenshin has. After the Time Skip at the end of the series, Kenshin gives Yahiko his own sword. Forgot About His Powers : In the anime filler, Kenshin, during his fight against the Black Knight Meldars, seemed to forget that he had the Doryusen at his disposal, along with several other moves, which could have easily enabled him to take down the German knight while easily knocking him off his horse and not get beaten to an inch of his life.

Fragile Speedster : Played with. On the one hand, Kenshin's Determinater qualities allow him to tank massive amounts of damage despite his slim build and his sword style's emphasis on speed and two-strike moves. Unfortunately played devastatingly straight at the end of the series where learning the Succession Technique effectively destroys his body through the accumulation of muscle damage in conjunction with the natural strain of someone with Kenshin's build using Hiten Mitsurugi Ryu style. This forces him to abandon the Hiten Mitsurugi Ryu style though his son is supposed to be even better than he is once he grows up, being a natural prodigy and all. Interestingly played with Senkaku, one of Shishiou's lower minions. He's a Lightning Bruiser who is approximately as fast as Kenshin, despite his massive build.

However Kenshin fights him in a match of speed, turning Senkaku's own body against him as he Senkaku keeps pushing himself until his joints collapse underneath him from the repeated strain. The Shogunate was an oppressive and corrupt government. Kenshin joined the Revolution to overthrow it, and ended up creating an equally-oppressive Empire. All of the evil Kenshin committed achieved nothing of value, and this is part of what drove him to become The Atoner. Funbag Airbag : Variant: Yahiko once walked face-first into Sano's Gainaxing : After being entirely absent for the first couple seasons of the anime, there's an incredibly blatant example from Misanagi during the "Black Knights" filler arc.

Gatling Good : Kanryu shows off his shiny new toy, a prototype gatling gun. Genius Bruiser : The Gohei brothers once they were merged in the anime. Genki Girl : Misao is very perky for a ninja. Kaoru starts like one and mellows out somewhat as the series progresses. The two still have moments together where they create Typhoons of Genki, however, to the general dismay of Kenshin, Sano and any other male within fifty yards. Genre Deconstruction : Of Jidaigeki. Being a samurai isn't just a thing of honor and swordfighting for either your master, your beliefs, or other causes, and it leaves huge mental and social scars on those who survive it. Genre Shift : From Shonen to Seinen, particularly in the OVAs, which were free of both the slapstick comic relief and the more unrealistic Rule of Cool elements of the original.

The final arc of the series shifts from a historical fiction with Rule of Cool physics to straight up fantasy. Gentle Giant : Fuji of the Juppongatana; Anji is not nearly as humongous, but he fits the trope as well until his horrible Freak Out. He gets better after being defeated by Sano, though. Megumi delivers both a physical and verbal Bright Slap to Kaoru to talk her out of her deep blue funk. It's more of a "how dare you leave me behind" punch, but Kenshin gets one from Sano in the Kyoto arc after they meet up again. Tsubame is more successful, by reminding Kenshin that people still needed saving, like Yahiko.

Oibore is the one who makes one last push. Sano's motivation to fight Anji is this. The time Kenshin punched himself in the face to get out of Battousai mode after a duel with Saitou also counts. All but two accept: Anji chooses to stay in jail, and Houji commits suicide, as he saw the deal as a betrayal of Shishio's ideals. Naturally, it found an audience with older viewers, to the extent that producer Sean Akins later realised they should have put it on Adult Swim : A shocking amount of blood was left in.

Sanosuke's "Damn it! That guy's totally off his rocker. A train robber got to yell "Damn it! What are those guys doing? They all decided to go out on a day trip before they departed, with Kenshin and Aoshi staying behind at the doji and Yahiko and Sano trailing the girls to confirm that they were getting food without them. Go and Sin No More : This is basically the offer that Kenshin makes to a great deal of his foes aside from having them sent to the slammer after he resolved not to kill anymore.

However, this has been deconstructed when the strawman argument has been introduced to some of the nastier villains Good Counterpart : The first villains impersonated Kenshin to commit murder, ran a Thug Dojo , and aimed to take over the Kamiya family dojo. A filler character impersonated Kenshin by using his reputation as an unstoppable swordsman to break up fights, ran a dojo, and used it to raise money for his orphanage. Good Scars, Evil Scars : Kenshin has an X-shaped scar on his cheek with a tragic backstory, some villains like Makoto Shishio are just disfigured one big scar. This art makes the two of them, combined, the Worlds Best Warriors. The irony, however, is that this technique is actually NOT suited for someone of Kenshin's build thus zig-zagging " The Gift " version of this trope.

Groin Attack : Yahiko , having been raised in a rough neighborhood, isn't averse to some very cheap shots. One filler episode had Yahiko attack half of the Goldfish Poop Gang in this manner, using a Discretion Shot of something else and the appropriate sound effects to imply what happened and then repeating it again, three times and in slow motion , each time with a different visual metaphor. Yahiko invented a technique in the Jinchu arc called "Kamiya Kasshin Ryuu: Curse on the Descendants" which is essentially a flying sidekick to the groin. Yahiko bit a guy in the groin in the manga. In the same chapter in which he was introduced.

Episode 17 of the anime series had the Girl of the Week Marimo kicking the episode villain's henchman in the groin from behind as she and Yahiko were confronted by them while making their way back to the circus show. It's no surprise that the henchman was hopping up and down in excruciating pain while holding his crotch after Marimo's surprising kick and that both Yahiko and the villain were quite surprised to see such an event transpire.

At one point in the manga, Yahiko isn't watching where he is going It Makes Sense in Context : Yahiko is really short, and by contrast Sanosuke is the tallest of the group. Ground Punch : Sanosuke performs a variant in the Kyoto arc; instead of punching the ground, he punches the water since he's in the ocean , making a massive column which allows him to defend against gunfire from a Gatling gun.

His mentor Anji uses Futae no Kawami to punch the ground as a means of area denial.

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